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On the Run

Audiobook
1 of 1 copy available
1 of 1 copy available
#1 New York Times bestselling author Iris Johansen is back with an electrifying new thriller that pits a mother and daughter against a relentless killer who takes no prisoners, accepts no surrender, and leaves his intended victims with no choice but one: to run for their lives.…
Wherever you stop, he’ll be waiting.…
The picture was a warning: they'd found her. For eight years Grace Archer hoped this day wouldn't come–and knew in her heart that it would.
She'd taken her daughter, Frankie, to a rural Alabama horse farm that might just as well have been at the end of the earth. But the man out to kill them would gladly follow them that far. And now, it seems, he had.
A woman with a highly classified past, Grace had never run from anything in her life. But as a mother, she'd do anything to keep eight-year-old Frankie safe. Now that safe world has been shattered, and a ferocious hunter has been unleashed. Suddenly the agency that owed Grace its gratitiude and protection has abandoned her and only one ally remains: a man even more dangerous than her worst enemy.
She hasn't set eyes on Jake Kilmer since the catastrophic events of eight years ago. Now he's asking Grace to trust him with the one thing more precious to her than life itself. But with a ruthless criminal kingpin determined to make her pay for the past, her and her daughter's lives on the line, and time running out, she just may have to put her faith in a man who she believes has already betrayed her once.
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    • AudioFile Magazine
      Hollywood's action-film formula insists on an explosive shoot-'em-up sequence within the first two minutes, and Iris Johansen obliges. This action/romance, tailor-made for the movies, starts with a bang and doesn't let up until its predictable conclusion. It tells the story of Grace Archer, ex-CIA operative and horse whisperer, and her 8-year-old daughter, on the run from a malevolent force named Marvot. Nicely read by Jennifer Van Dyck, the novel unfolds as believably as possible, given the book's dependence on coincidence and improbability. Still, Van Dyck's lively narration makes kidnapping, sandstorms, buried treasure, murder, and mayhem unfold like an escapist's dream matinee at the local Bijou. Not great literature, but still great fun. S.J.H. (c) AudioFile 2006, Portland, Maine
    • Publisher's Weekly

      October 24, 2005
      A single mom and gifted horse handler, Grace Archer goes on the lam with her equally exceptional eight-year-old daughter, Frankie, after a Middle Eastern magnate named Marvot kills the owner of the Alabama horse farm where they have been hiding under the watchful eye of Grace's former employer, the CIA. Johansen (Firestorm
      , etc.) blends action, suspense and family values as Frankie's father, ex-CIA commando Jake Kilmer, comes back into Grace's life to protect her and the child he has never known. Grace blames Jake for her father's death and the end of her career, but there's no one else she trusts against Marvot, who wants her to train his lethal blue-eyed Arabian stallion and mare, known as the Pair, to lead him to treasure buried somewhere in the Moroccan desert. The novel starts off with guns blazing and doesn't slow down for murder, kidnapping, blackmail, sex or sandstorm. Johansen borrows openly from the movies Hollywood thinks women love (Grace talks to horses, though she balks at being called a horse whisperer), crafts family scenes (Marvot playing chess with his son; the Pair with their colt) and offers a mother and father who defend the world from criminals while yearning for domestic tranquillity. The Johansen formula works so well in this novel that readers may expect a sequel.

    • AudioFile Magazine
      Eight years earlier, ex-CIA operative Grace Archer narrowly escaped death at the hands of Marvot, and went into hiding. Now she's been found and must rely on mercenary Jake Kilmer to keep her and her daughter, Frankie, alive. Jennifer Van Dyck's warm, throaty voice has an intangible quality that draws in the listener. Her interpretation of Grace is rich with myriad emotions, but her terse, staccato delivery of Jake's dialogue and thoughts is evocative, as well. Van Dyck has fun with the accents of the supporting characters, giving a silky menace to the evil Marvot. It's a memorable counterpoint to Frankie's bubbly innocence. The only sour note is the music, which seems pedestrian. C.E.W. (c) AudioFile 2006, Portland, Maine

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  • English

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